What happens when you spend ten uninterrupted minutes looking at a single artwork? A recent New York Times challenge reminded me how slowing down can deepen our understanding and appreciation of art, and got me thinking about how viewers experience my textile pieces.

How do you choose a background color that supports, rather than competes with, your quilt design? In this post, I share a practical look at using color theory, fabric auditioning, and pre-visualization tools to evaluate background options for quilts with strong foreground motifs.

A new year, a fresh start, and a quieter way of thinking about goals. I’m reflecting on ritual, creativity, and the unexpected path that led me here.